Selected Essays

By Muhammad Baqir, Roses and Nightingale, Public Domain, Wikimedia Commons

Selected Poems

I had this experience in September, 2025, when I was drawn to visit the local ‘snake bridge’. Snake bridges (also known as ‘change’, ‘turn-over’, ‘roving bridges’) were nineteenth-century canal bridges crossed by horses pulling barges laden with goods—sometimes the horses needed to swap sides and walk down the other side of the canal because of obstructions of one kind or another. Might we become living bridges, to shed, pivot, and pull some mystery into being? (Photo by David Medcalf, CC BY-SA 2.0, Wikimedia Commons.)

Snake Bridge

I go to the snake bridge—
I’m not sure why—
the instinct
imperious.

I feel the old stone,
the sun after showers,
the blue sky;

the Age of Aquarius
looming large
with awful goods
unknown.

There are vague pasts—
and futures—
beyond the present’s
haphazard
blinds,

and horses,
long dead, still crossing
hitched to the barge.

We tow joys
mysterious
to our listening
minds

and walk,
buoyant,
where water was—

canal gone—

clouds perishing
in perishless
Song.


Back in 2013, I had a remarkable encounter in Ulu Cami Mosque in Bursa, Turkiya. The mosque’s walls are covered in the Divine Names in giant and graceful calligraphy. I visited as I was working on my book, The 99 Names of God. The mysterious friend I met there had a profound affect on me and the book. The poem here won the Daniel Abdal-Hayy Moore Ecstatic Poetry Prize, 2025. (Photo by Dosseman – Own work, CC BY-SA 4.0, Wikimedia Commons.)

Gathered

Who were you,
dear messenger,
in the Ulu Cami Mosque,
surrounded
by the Names
of God
gathered
on the walls?

Kneeling in zhikr,
I felt your hand
on my shoulder,
your gravelly
Turkish
(I didn’t understand)
whispered
in my ear.

You looked
like a grandfather
I’d once drawn,
with your short, white beard
and your warm touch
of Jonah.

I’ve wondered since
if others saw,
or if you stepped
from the imaginal,
fresh from a meeting
with Khidr.

More likely flesh
and blood
like me,
you simply wanted
an ear
to pour out
a long-fermented,
bubbling
ecstasy,
soothing as
the fountain
of the mosque.

You didn’t care
if I understood
or not,

pointing
a finger—
and a smile—
to the One.


Inspired by a incident at our local demonstration in support of Palestine, September 2025. (Photo by uzma taj.)

Provocateur

He wraps himself
in an Israeli flag
and calls us idiots.

Breathe.

He’s got a small dog
on a lead
as though he were just
passing;

debonair, well-heeled, sleek,
his voice is strong—
breathe—
and fired with
stinging ease
up and down the street.

Some try to
reason with him;
others jeer and boo.

Some know silence
is best
and just breathe—
nothing
we can do—

or feeling sad and
inarticulate,
wish to speak
but fumble
for the keys

to facts
and arguments
that fall like
dead leaves—

or Palestinians—

breathe.


At an online meeting of Ray of God’s Sanctuary in 2025, Saimma asked us to write some words on the theme of ‘abundance’. At first, my inner state in that moment felt too bleak to address the theme, but then the short poem below began to materialize. Perhaps I was reminded of Rumi’s words, ‘Life’s waters flow from darkness. Search the darkness, don’t run from it’ (Divan-e Shams-i Tabriz, 2232, ‘Search the Darkness’, Love Is a Stranger, Helminski, p. 37). The image I’ve paired it with portrays ‘Despair’ and is a sculpted relief dating from 1220–40 from the Cathedral of Our Lady of Amiens (Notre Dame d’Amiens). We all sometimes feel the collective despair in these turbulent times in our different ways. Maybe we can drink deep from it. (Photo by Anne C. Richardson, Jim Womack – Jean and Alexander Heard Libraries, Public Domain, Wikimedia Commons.)

Called

Sometimes
we don’t feel
called
to the fountain
of abundance,

but only to lie
with no hope
on a cold floor
in a dark house.

Night falls in
through windows
and an open door,
and, still as fish
on land,
our hidden eye
blinks no more.

No,
sometimes
we don’t feel
called
to the fountain
of abundance,

yet
there we are,
drinking.


(Image by Wellcome Library, London. Rock engraving depicting a bear, Scandinavian. After Frobenius. Neolithic Published: – Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0.)

Bearishness

This life has led me
deep into the high heart
of a wilderness.
Is there a coward’s bus back again?
I packed my rucksack
with things I thought
would ease the pain.
They haven’t,
and, oh, the rain—
I fling my offering
of an anorak
to the rain!
For a strange courage
is on me yet,
and I wish to be a bear
and run deeper
and higher into the wild trees
(dumb brute and blessed!),
emerging years later,
wizened and half-slain,
and moaning,
paws shaking,
of a brush
with Bearishness.

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